(Being part of an occasional series in which I grumpily fulminate against something that’s annoyed me.)
I’m fed up with tech-neocon wankery about “disrupting” industries.
You turned the public into taxi drivers? You simplify the process by which millionaires find a San Francisco parking space? Your iPhone app makes it easy to swipe a face away if you don’t want to fuck its owner? Woo, have a fucking Nobel Prize, Mr Disruptor.
In return for your clever oh-so-useful tech, you perpetuate a culture of all-nighters, working for stock, a lads-only pseudo-meritocracy. You whimper about government regulation that exists to protect consumers and workers. You claim a right derived straight from God (or Adam Smith, at least) to do what you want, when you want, to whom you want and you justify this by saying you’re shaking up (“disrupting”) inefficiencies. So noble! Reforming economics while relentlessly focussed on selling your company to a tech giant so you can repeat the process and enrich yourself.
Disrupt your own grasping, me-first mindset. Then show me your tech.
As I’m occasionally asked questions about how I see the two different organisations working together (or not), here are the full questions that Steve asked me, and my responses (as approved unchanged by my bosses at Opera). I’m grateful to Steve for giving me his permission to reproduce them.
SS: How big a problem is it that WHATWG and W3C both are sorta kinda in charge?
BL: It’s not an especially big problem for the vast majority of developers who aren’t developing sites using still-fluid features that are only available in the latest nightlies. Where they differ, the W3C spec is a better guide to the stable features as implemented already in browsers – for example, it has dropped the <hgroup> element, warns about the lack of implementations of the outlining algorithm and has much better advice on using the <main> element today to make websites more accessible to people with disabilities.
SS: Which do you think has more power in charting the future of the standard?
BL: Neither. The power is with browser makers. As Ian Hickson of WHATWG said, it doesn’t matter what the specs say if browsers don’t implement them.
SS: It seems kind of like we have two horses pulling the same cart, with no coordination between the horses. Is this a bad use of resources? Or is that a bad metaphor?
BL: The web is the biggest platform we’ve ever had. Therefore, it has more constituencies and competing interests than we’ve ever seen. It’s absolutely right that those different interest groups slug it out. At least it’s (mostly) done openly, unlike the decisions made behind closed doors by proprietary organisations answerable to no-one.
SS: We can’t rewrite history to excise XHTML 2.0, but should the two communities work to converge into one somehow? Is that even possible?
BL: I’d like to see one community , but suspect the cultural clashes are too large. So we have to get along, working together mostly and fighting occasionally, just like a family – albeit sometimes most like the Addams Family.
SS: How much actual real-world confusion is there among developers? Where should they go to see what the “true” spec says?
BL: If you want to see what’s already implemented in browsers now, look at W3C spec. If you want to see what might be coming (or how things may change) look at WHATWG spec.
Opera implements following the WHATWG spec, because that’s where nitty-gritty of the leading-edge stuff is discussed. But we also actively support and participate in the W3C as we see the value in having stable snapshots that developers can refer to, and it’s also the forum for many other vital spec discussions about Web Manifest, Device APIs etc. It’s possible to love both and, as we’re Norwegian, our hearts are full of love for all.
As part of my usual Autumn tour of European capitals (this year, Berlin, Bucharest, Amsterdam, London, Paris, Madrid, Oslo) I’ve been lucky enough to speak at three community conferences, which are always my favourite.
The first was SmartWeb conference in Bucharest, Romania. This was started last year by Gabi Schiopu who was frustrated by the lack of front-end conferences in his country, but the cost of international travel and hotels is prohibitive, so decided to start his own. So he got an event organising partner (thank you, Evensys!) and invited speakers. It proved so successful that he ran it for a second year. As I’m paid to do international jetsetting by Opera, I asked that my speaker fee be converted into free tickets for deserving local university/ school students. We’re all pictured below with McCartney-esque cheesy grins and thumbs up. By an almost incredible co-incidence, we were all wearing matching Opera t-shirts.
I had great fun presenting and MCing the event, and Bucharest is a delightful city.
The second was Fronteers in Amsterdam. This year is the seventh conference; I’ve been to four (and spoken at three, if you don’t count this year’s lightning talk the night before). Fronteers is a conference I like to attend because it’s deeply technical, which makes it pretty scary as a speaker but very useful for the audience – there’s no “How I get inspiration from, like, nature and moleskines” or “Iterate often and dare to fail, you’re awesome” stocking-filler on this stage. (And, what a stage it is! A giant cinema screen in the beautiful Pathé Tuschinski cinema. They could probably easily fill a bigger venue, but part of the Fronteers charm is this venue.)
My friend Shwetank Dixit spoke on WebRTC – A Front-end perspective and, as he’d come all the way from India, the rest of the Opera Devrel crew descended on Amsterdam to give moral support and drink Dutch beer (the best is called “jenever” – no more than 4 pints, though). As usual, lots to learn and lovely to meet the great and the good of Europe’s web developers there.
Fronteers is organised by a group of volunteers, and its charitable status means that they don’t turn a profit at the end of the year – all money made is reinvested back into other events and initiatives for the Dutch web development community. Yay. Thanks, Fronteers crew, for putting on the conference and looking after me so well (even though I wasn’t actually speaking).
Only joking- Paris, duh. For its ninth year, I decided to ruin its reputation and give a talk on “Web Components- The Right Way” with Karl Groves of The Paciello Group. Here’s the video, and here are our slides:
What’s jolly nice about ParisWeb is that English talks are simultaneously translated into French, all talks are translated into sign language and transcribed live. The latter was useful to me as I find it easier to read French than to follow the spoken language (French people spell much better than they pronounce), especially technical French for hours. I was especially proud when the signing interpreter sought me out after my unscheduled lightning talk (video, starts at 18 mins) to thank me for giving her the opportunity to sign “rectal prolapse” and “ejaculate my own liquified spleen” which, inexplicably, she seldom gets to do.
Again, ParisWeb is run by a group of volunteers who do it for love of the web.
Vive les volunteers! Please do all you can to support these conferences and, if you’re invited to speak, accept – it’s part of contributing back.
Enter all: initial. This resets all CSS properties to their initial value, and undoes browser stylesheets – in this example, the blockquote is no longer indented or display:block; as you’d expect.
Other values for the property are inherit, which changes all the properties applying to the element or the element’s parent to their parent value, and unset which changes all the properties applying to the element or the element’s parent to their parent value if they are inheritable or to their initial value if not.
What’s curious, though, is that the value that would be the most useful isn’t there at all. I wouldn’t want to completely strip away User Agent styles and then have to reset elements to display block-level and then indent them in CSS. I wonder why there’s no all: ua-default (or somesuch) to reset them to the User Agent style sheet default?
More discussion about the Pointer Events Smell video from @SlexAxton, @davemethvin (jQuery): “It all boils down to ‘Why is Chrome+IE+Firefox not enough for Pointer Events, but Chrome+Firefox enough for Touch Events extensions?'”
Status of Promises in gUM discussion – now gUM is being “moved” to the snappily-named navigator.mediaDevices.getUserMedia and will use Promises, should “legacy” navigator.getUserMedia continue to use callbacks? Yes, in my opinion – there is a lot of stuff already out there.
Brum Tech Scene – Stuart Langridge interviews @SusannahGoh of Birmingham Science City about health, data, and innovation. Having just returned from Fronteers conference in Amsterdam, I confirm Susannah’s assertion that stroopwafel is a biscuit made of superglue.
anonabox : a Tor hardware router to anonymise all net use and bypass censorship, easy to hide/ destroy if the Secret Police/ Mullahs are at your door.
Here’s a spooky little picked riff, a pretty tune (in my opinion) and some melancholic words about yearning and missed opportunities. It could have had loads of harmonies and coutermelodies but I chose to keep it relatively sparse. The guitar solo displeases many, but it best expresses the feeling behind the song.
It’s recorded using Audacity (I found the iPad apps I’d been trying were too cumbersome for editing the tracks after recording, perhaps because I don’t know their intricate UIs well enough).
If you come to me I promise we will
Stay here in the silence, lie very still.
messages sing through the cables and the air:
ceaseless secrets spinning from nowhere to nowhere.
There are too many secrets to share.
If you come to me I promise we’ll go
to the places where the faces are beautiful unknowns -
where the past is expired
so no masks are required.
A place where we can escape from our facts.
There are too many questions to ask.
If you look down I fear you might fall,
or lose your grip on something delicate and small.
You ignite the bright light that was dimmed inside me.
When the blood in your breasts throbs violently
come to me, come with me. Now. Shine to me.
Fun times with Appcache – “If you are using appcache, the best way is to have a separate webpage with the manifest and wrap it in an iframe. The main advantage of this is that it ringfences the cache… Who says enterprise software can’t do HTML5?” asks Matt Machell.
To Picturefill, or not to Picturefill asks Scott Jehl. Should you polyfill responsive images and risk users without JS getting no images at all? He tends to “yes”, I tend to “no” for philosophical reasons. Commercial pressures outweigh those, natch.
Once in a generation, there is a perfect combination of circumstances that leads to the creation of something truly extraordinary. Today is that day – the flawless union of programming, content, beauty and functionality.
This week at the Future of Web Apps conference, the Stella McCartney of geek crochet, Ruth John, gifted me with a hand-made, individually-designed crocheted mankini. A photo of me wearing it is available on my fashion blog What’s Bruce Wearing Today (caution advised).
At the same conference, Syd Lawrence demonstrated his accelerometer-driven app Shake Her Booty which allows you to control J Lo’s bottom (“booty”) by shaking your phone.
Claudia Snell asked “when can we expect the @brucel version?” so Syd mashed up some video he’d made of me dancing in the mankini at the FOWA after-party, and today has released Shake Your Brucie.
Like everyone else on the Web, I’m a musical snob. I’d far rather listen to arty difficult stuff like Can and My Bloody Valentine than Abba. But I’m also a musician so have a love and admiration for great catchy melodies and brilliant production. Here are top ten guilty pleasures – the Krispy Kreme Playlist – of songs that I genuinely love, not through wanky PoMo irony, but because they’re great.
Gita Gutawa – Bukan Permainan
This song obsessed me when I was doing a University lecture tour of Indonesia and heard it in a taxi. The helium voice, perfect production, harmonies and vocal line took residency in my brain within 4.3 nanoseconds of her starting singing. I attracted quite a crowd in a Jakarta shopping mall attempting to sing it to astonished music shop counter staff. They finally handed me – a middle-aged white man – a CD of a girl in a big pink wedding-cake dress who looked about ten years old. They must have thought I was Gary Glitter’s brother.
Wham – Young Guns (Go For It)
Sexist, crass and great.
Sugababes – About You Now
YouTube is full of videos of angsty teenage girls strumming moody acoustic covers of this in their bedrooms, but the mechanical drums and bounciness of the original makes it flawless in every possible way.
Oasis – The Hindu Times
Oasis are, of course, preposterous cockheads who steal their tunes, grunt their meaningless lyrics and walk like incontinent chimps. But this has a great moron riff and splendid changeover from chorus back to verse, thumping drums and a wall of sound. I bet even Blur like this.
Natalie Imbruglia – Torn
Perfect. Some splendid bass guitar wiggling around under Natalie. Lucky bass guitar.
Betty Boo – Doin’ The Do
Sassy girl singer, great bass, great video and great dance music. It was a hard decision whether to include this, or Dee Lite’s Groove is in the Heart, but she won because (a) she’s British and (b) I am genuinely in love with her and want to bear her children.
U2 – Where The Streets Have No Name
Undeniably, Bono’s a nob. Indubitably, U2 are flatulent stadium rock. But this is great and you won’t convince me otherwise with sophistry, even if you’re Lou Reed himself.
ELO (Electric Light Orchestra) – Midnight Blue
A lovely tune, so over-produced that it’s in grave danger of collapsing under its own ludicrousness like an orchid wearing loads of rapper bling and Argos sovereign rings.
Dexys Midnight Runners – Come On Eileen
The warbly vocals. The slow down and speed up again bit. Excellent.
Hanson – MMMBop
Anyone who doesn’t love this has cloth ears and no humour or soul. And that’s proven by science.
Sophie Ellis-Bextor – Murder On The Dance Floor
Oops – a number 11 in a list of 10. But this is too good not to listen to.
HTML never required an <html>, <head> or <body> element (only XHTML validators did). So if you open test 1 in any browser and view source you’ll see those three elements aren’t in the source. But if you inspect the DOM with any inspection tool, you’ll the browser has inserted those elements.
How does the browser know where to close the <head> and open the <body>? Test 2 shows a page that contains a <vomitingotter> element. This isn’t offcially part of HTML yet (hurry up Hixie!). There is no <body> element in the source, but the browser knew to leave the <title> and <meta charset> in the head and add the <vomitingotter> element into the <body> (which is why you can actually see its contents; by default, no text in the <head> makes its way into the visible page.)
Simply, the first element that isn’t known to be part of the <head> makes the browser close the <head> and open the <body>. So if it’s not recognised as metadata content (<base>, <link>, <meta>, <noscript>, <script>, <style>, <template>, <title>) it goes in the body. Any subsequent “head” elements remain in the <body>; they aren’t restored into the head (see the DOM of test 3), even if you explicitly wrap them in <html>, <head> and <body> elements in the original source – see test 4.
This doesn’t investigate the bigger question of why Apple – who invented the viewport meta tag – decided to add it to HTML at all. After all, HTML is about content and the viewport information is about styling, and would therefore be more appropriately be declared in CSS. I don’t know the answer to that, except that Apple knows best about everything.