My recent upgrade to Yosemite appeared to go without a hitch, until I fired up Garageband to tidy up the guitar line on my cello and harpsichord-driven song Girl In The Room.
To my dismay, the cello and harpsichord samples had disappeared, to be replaced by a very clunky generic synthesiser sound. After some investigation, it appeared that the new OS (or new Garageband 10.0.3) had nuked the soundfonts I’d put in Library/Audio/Sounds/Banks/. Perhaps I should have known this – but I’m new to Mac, and my experience on Windows is that it doesn’t hose your data when you upgrade. Ah well. Apple knows best, of course.
But, once I’d got the soundfonts from a backup and restored them to the correct folder, I’ve noticed that Garageband doesn’t see all of them. Other times, it sees a soundfont, lets me associate it with a track and plays it fine. Then I hit play again and the same track I heard seconds before is entirely silent although the dialogue box still claims the soundfont is associated with the track. (and what is a “user define bank”? User-defined, surely?)
This basically means Garageband isn’t usable for me with soundfonts (which was the whole purpose of my buying it; I don’t want to be restricted to the excellent-quality but rather middle-of-the-road default samples).
But I’m a Mac/ GB n00b and am probably missing something obvious. Anyone got any advice?
(Being part of an occasional series in which I grumpily fulminate against something that’s annoyed me.)
I’m fed up with tech-neocon wankery about “disrupting” industries.
You turned the public into taxi drivers? You simplify the process by which millionaires find a San Francisco parking space? Your iPhone app makes it easy to swipe a face away if you don’t want to fuck its owner? Woo, have a fucking Nobel Prize, Mr Disruptor.
In return for your clever oh-so-useful tech, you perpetuate a culture of all-nighters, working for stock, a lads-only pseudo-meritocracy. You whimper about government regulation that exists to protect consumers and workers. You claim a right derived straight from God (or Adam Smith, at least) to do what you want, when you want, to whom you want and you justify this by saying you’re shaking up (“disrupting”) inefficiencies. So noble! Reforming economics while relentlessly focussed on selling your company to a tech giant so you can repeat the process and enrich yourself.
Disrupt your own grasping, me-first mindset. And then show me your tech.
It almost doesn’t matter how good the news is; if it comes after “actually,” I feel like I was somehow wrong about something.
Consider these two sentences:
Actually, you can do this under “Settings.”
Sure thing, you can do this under “Settings!” 🙂
…It’s amazing how much brighter my writing (and speaking) gets when I go through and lose the “actuallies.”
While I’m at it, I try to get rid of the “buts” too.
Sentence 1: I really appreciate you writing in, but unfortunately we don’t have this feature available.
Sentence 2: I really appreciate you writing in! Unfortunately, we don’t have this feature available.
Feel different? When I substitute my “buts” for exclamation points, I feel so much happier with my message.
In short: Don’t forget the happiness exclamation marks! And the smiley face! Every sentence should have one! Every thing must be happy! All the time 🙂
Kopprasch tells us that removing the word “actually” from her vocabulary is “One of my favorite “happiness hacks””. I’ve got nothing against the words “but” or “actually”. But I’d drown the phrase “happiness hack” in a bucket.
Oops: I mean “I’d drown the phrase “happiness hack” in a bucket!! OMG LOL!! :)”
Meanwhile, Techcruch has discovered The App Store Is Proof We’re In Idiocracy. Apparently this is because these days, the best-sellers in the iTunes App Store are games like Weed Firm, Toilet Time, Flappy Bird clones and the like.
Now, I’m no defender of walled-gardens of programs for closed platforms; I take childish delight that, in Finnish, “åpp større” means “fellate a demon”. But a swift glance over some YouTube comments, Facebook will show that the open Web is has its own teensy niches of popular culture. As do TV schedules, book shops, the music business. Because – shockingly – people like popular culture, and popular culture isn’t always intellectual and esoteric.
Sarah Perez, the author, laments that the dirty proles have access to technology:
…phones are now in the hands of a broader, more diverse group of people, both young and old, who won’t necessarily share the same tastes as the tech elite whose punditry and personal recommendations about the “next great mobile app” used to matter.
Boo-fucking-hoo to you, Pope Perez, and to your tech elite priesthood. Getting the web and tech to all the people is the point.
I’m not shy about talking about having multiple sclerosis (largely because I have supportive employers so I’m not constantly in fear of being fired as many disabled people are). So from time to time I get blog comments or emails from crazies who tell me that multiple sclerosis is caused by coffee/ aspartame/ invisible MS rays from the evil Quaziquarg, Lord of the Quarg People.
These people simply don’t understand the nature of scientific cause and effect. My fist and their noses would serve admirably to demonstrate how this process works.
I’m deeply concerned at the scope-creep of these policies. We all oppose obscene images of children and rape. But those are illegal, and filtered, already. Is it true that we will have to opt-in to “extremist” material, and material on “smoking”? Who decides what is “extremist”?
I urge you to oppose this censorship by the back door, and I hope you’ll raise it in parliament, which is the proper place to debate such matters.
To Mr Hemming’s credit, his reply came after a couple of hours:
My understanding is that the proposals relate to the default or factory settings of the domestic broadband router. I don’t think anyone has a problem with this.
Why not write to your MP? Hopefully you’ll get a more sympathetic response.
Added 17 August 2013: I’ve just had an hour long meeting with my MP, John Hemming (both of us lying on his floor as his back was gone, and it was weird for me to sit while he lay) about the plans for a UK-wide Web filter. He agrees with me that it’s a civil liberties problem, and we’ll work together to campaign against it. More detail later.
The South By South West conference has published its First Timer’s Guide with such nuggets as advising readers to drink water and “Be sure you know the name of your hotel”. In my customary mode of unceasing public service, I offer some more tips:
Wipe your bottom after every poo. Wipe from front to back.
Do not put a sharpened pencil into your ear, then smack the side of your head against a wall. This may drive the pencil through your Eustachian tube and into your brain.
If any panellist mentions Postel’s law, Fitt’s law or Moore’s law, loudly applaud their effortless erudition. However, if a food retail operative mentions “Cole’s Law”, they are referring to salad consisting primarily of shredded raw cabbage.
If a tiger escapes from Austin Zoo and, maddened with fear and hunger, races into a conference session that you’re attending, don’t embarrass yourself by falling victim to the tiger-petting anti-pattern.
If a stranger asks you if (s)he can see your genitals, say “no” in a friendly but firm voice. (Video tutorial)
Even though this is your first time, tell everyone you meet that “it was much better back in ’07”. Everyone will love you.
(It was much better in ’02 when I was hanging with Cory Doctorwho and David Byrne at the Jackalope. Of course, nobody went to the Jackalope, then.)
Finally, a boring post about something other than web minutiae!
Eighteen months ago, we moved into a large Victorian house that needed lots of work. Twitter chums have responded to my requests for recommendations for builders, roofers, tree surgeons, decorators, plumbers, electricians and plasterers enthusiastically. But when I innocently tweeted “Can anyone recommend a decent double-glazing company that aren’t pressure-salesmen, cowboys or criminals” I got no replies at all. Not any. Twice. That’s telling in itself. So I decided get a couple of quotes and compare them.
Firstly, I called Amber Windows, told them what I wanted and told them that I had an hour maximum for them to measure (two doors – how long should it take?), and emphasised that I didn’t want to waste time with faux-discounts; give me your best price and go away.
Needless to say, Cliff, the Amber Windows salesman, told me of a “special discount” to reduce the £5600 cost (ha!) to £2500. Then came the usual palaver of “calling his manager” to ask if there was an extra special deal. Lo and behold! there was. Mild pressure was applied; a curt “that’s the lowest price, if you sign up today. Take it or leave it”. I told them I’d leave it as I hate people pressuring me and insulting my intelligence. Other the next two weeks I received several phone calls, from different people, offering me wildly different prices until I told them to stop calling me.
I told Jim, the Anglian Windows salesman, not to waste my time and simply to give me his best price. He was direct, but was clearly anxious to sign me up there and then with the implication that there was a further discount. (I said no, as I wanted to discuss the various different designs with my wife at our leisure). He also didn’t seem to know about his products; the Anglian brochures boasted of a certain British Standards that their windows meet; my insurance requires a different Standard and he couldn’t tell me if Anglian’s windows meet More>Than’s minimum security standard.
His price was good, so I invited him back to take a deposit, provided that he could answer the British Standards question. He didn’t come prepared with an answer, and was visibly annoyed at my asking the question. I signed the contract and gave him a cheque on condition that her find out (this was written into the contract) and I emailed him several times subsequently but he never satisfactorily answered my question. Eventually I gave up and the surveyor gave me the answer on headed notepaper as Jim had promised (but failed) to do.
Jim also promised me that my burglar alarm contacts would fit on the new doors, and that I would have a trickle vent to prevent condensation forming. This was written into the contract. When they were eventually installed today, the trickle vent was missing on a door, and the burglar alarm contacts wouldn’t fit. I can only assume that the factory misread the words “trickle vents to be fitted above doors” as “trickle vents to be fitted above only one door”, and Jim’s error regarding my burglar alarm was nothing to do with his eagerness to get a sale.
After signing the contract and paying a 20% deposit in August, I waited and waited and eventually chased up Anglian myself for a survey date and a fitting date. The fitting date was postponed by Anglian at the last minute, three times. The first two times because of bad weather, the third time because of lack of fitters. When I complained on Twitter, they mysteriously found a fitter who came today. They’ve done a nice job, but have yet to return today to finish the job (to put trim around the back door, put in a spyhole and a knocker and install a trickle vent. The burglar alarm contacts I’ll have to sort out by myself). I was hoping to visit the doctors on Monday morning, but now I’ll have to wait a week.
I have another window that needs double-glazing, but simply don’t feel like going through this rigmarole again.
If there is an Apple-style “just works” double glazing firm that doesn’t entirely ignore customer satisfaction in its haste for profit, I hope it will clean up the market.
The kids wanted to see it, so I took them to see The Dark Knight Rises. Because it’s a film based on a comic and I’m over twelve years old, I wasn’t really expecting to like it, but there were some scriptwriting crimes so egregious that I list them here.
Firstly, the film was way too long. It didn’t help that Cineworld in Solihull decided that air conditioning in a packed cinema in the summer is a luxury that our £28 entrance fee didn’t merit. But it was still 30 minutes too long.
On the plus side, the special effects were good (of course they were: it’s a summer blockbuster) and the babes were suitably babelicious, if Hollywood collagen pout is your thing (it isn’t mine).
But the script was terrible. Now, in a Hollywood blockbuster based on a kids’ comic, I don’t hope for emotional depth. But as the Bad Guy had mobilised thousands of normal people who were prepared to be blown up by a nuclear bomb he’d planted, it would be satisfying to be given even a cursory explanation of why they would. Or even, why Bad Guy and Bad Girl would. (“Because they’re bad” doesn’t work.)
Two can’t-be-arsed script devices were employed repeatedly. The lazy, lazy flashback-with-a-voiceover technique was used several times, as was clankingly clumsy Obvious Explication Dialogue:
“I want you to give me Clean Slate”.
“you mean, the computer program that lets you type in your name and erases you from databases?”
Imagine if people in real life spoke like that:
“Have you got the keys to the car, Bruce?”
“You mean, our blue Nissan Micra that I bought from my father when he upgraded to a Passat? The one I scratched when I reversed it into a wall outside Aldi last Wednesday?”
Then there is the mysteriously common movie trope whereby a character who doesn’t speak English suddenly learns it in time for them to utter the words that allow them to fulfill their plot function. I’m thinking of the bald guy in prison who needs translation until he whispers encouraging, motivational words to Batman. Imagine being that guy! All that time, unable to communicate with the Anglophone world and, just when the deus ex machina grants you fluent English so you can go to the pub and chat up girls, you disappear from the world as your bit of plot has finished. Bummer.
And don’t get me started on the unrequited homo-erotic thing between Michael Caine and Christian Bale. Any scriptwriter that requires Caine to cry should be drummed out of the scriptwriters’ guild. He’s spent 85 years being celebrated for not acting – he’s not going to start now.
More fool me for expecting anything other than cartoon characters, I suppose, but grown adults had promised it’s “dark” so I expected a Bergmanesque investigation of why a man would wear tights, with added “Pow!” overlays. Should’ve gone to see The Lorax instead.
The Web is about communication. It connects many people who previously were isolated such as those with disabilities or those in oppressive regimes. It’s a World-Wide Web, not a Wealthy Western Web. If your super-clever site only works with a mouse and monitor, on the latest $2000 super-spec laptop, with a fat broadband connection, you’re missing the point.
The principles of universality of access irrespective of hardware or software platform, network infrastructure, language, culture, geographical location, or physical or mental impairment are core values in Web design.
One of the most worrying trends we see at the moment is the erosion of this idea. In a survey, Peter-Paul Koch asked "Do you hope that WebKit will become the only rendering engine, and that the others will gradually disappear?". Shockingly, 32% have replied “yes” (at time of writing). You read that correctly! 32% actively wish for a monoculture. Because, y’know, cross-browser development is hard – so let’s go shopping! Who cares about the users? Who cares about the future? We’ve been here before with IE6- the darling of developers at the time – and look how well that went.
It’s pretty obvious that this is a case of a group of developers that believes that everyone should be just like them and should use the same devices and browsers. After all, despite all their genuflecting to Safari on their iPhones, it appears from December’s mobile statisitics (as written up by PPK) that
Opera once more overtakes Safari. It’s clear now that Android’s untrammeled growth has ended, and that the race for first position will continue to be between Opera and Safari.
(If you’d like to start testing your sites in the number one mobile browser, there are plenty of Opera testing tools available. Note: Opera is my employer, but this is my personal opinion.)
we have to start building sites using solid, future friendly principles such as progressive enhancement…not just when it’s handy or simple, but all the time.
and goes on to show a Barack Obama re-election site in which it was impossible to navigate in many devices, even some new high-spec devices. In a news report about this, the journalist quotes my three incredibly ground-breaking, never-before-heard rules:
Code to standards, not to browsers
use progressive enhancement
remember that you are not your user.
Yes, I know! Utterly new concepts.
However, we’re approaching a monoculture on mobile. This is not the work of an evil organisation, but it’s developer-constructed. Few people are stupid enough to use Olde-Skool browser sniffing and blocking, but we’re seeing lots of people breaking cross-browser compatibility by neglect rather than design.
One way this happens is developers using only one vendor’s CSS vendor prefix even when other vendors support the same properties. Of course, for experimental things only implemented by one rendering engine, that’s fine. That’s what vendor prefixes are for.
The trouble comes about when people do something like -webkit-transition for widely-supported properties, without the corresponding -o- for Opera, -ms- for Microsoft and -moz- for Mozilla.
People never aim to create content that’s cross-browser compatible per se, with a tiny minority of exceptions. People aim to create content that reaches users. What that means is that right now people are busy authoring webkit-only websites on the open web because they think that webkit is the only UA that will ever matter on mobile. And if you point out this assumption to these people, they will tell you right to your face that it’s a perfectly justified assumption. The problem is bad enough that both Trident and Gecko have seriously considered implementing support for some subset of -webkit CSS properties.[my emphasis]
The rule should be this one: if the CSS parser encounters a prefixed property for another browser, honour that property as if it were prefixed for us UNLESS an unprefixed or prefixed for us valid declaration for that property was already set. That would drastically reduce the problems on the Web.
I believe vendor prefixes were a good idea, and remain so if used in a cross-browser, future-proof way. But because so many people only use the -webkit- one, I’m starting to wonder too if vendor prefixes should be considered harmful…
There have been a few stories lately for investors rather than techies that have a few inaccuracies, probably because they’re written by finance/ business journalists rather than tech journalists. (Nothing wrong in that; I know my HTML5 from my CSS but couldn’t tell a gilt-edged bond from a derivative.)
Here a few notes for analysts and journalists that might chance upon this blog.
By 2016, more than 2.1 billion mobile devices will have HTML5 browsers, up from just 109 million in 2010.
Before the expansion from “just” 109 million to “more than” 2.1 billion makes you rush out and leverage your portfolio, we need to know what our anonymous author means by the term “HTML5 browser”.
If you define an “HTML5 browser” as one that supports all features of HTML5 then there are precisely zero in existence. (You’d need to define “HTML5”, of course, but that’s anotherstory.)
If you define an “HTML5 browser” as one that can consume some HTML5 features, then all browsers are “HTML5 compliant”.
Please, dear analyst/ journalist friend, define what you’re talking about before giving precise figures and talking about accelerating adoption. (I’m always up for being contacted – email bruce at this domain – if you need to check something out, by the way.)
Our anonymous author quotes a Mark Beccue saying “I believe that Apple will be the key driver of HTML5”. Mr Beccue is, of course, at liberty to believe what he wants. Until my nephew was three, he believed that there was a creature that lived in the toilet called The Poozilla (I’d like to apologise to him publicly here). Believing it doesn’t make it true.
There are many claims to be the “driver” of HTML5. Opera began it, of course; Ian Hickson edits the spec and works for Google so you could argue that Google is a driver. As you like, and whatever gets you a better headline.
The truth is that browser manufacturers are driving it collaboratively because if browsers don’t render HTML interoperably, developers will use some proprietary technology instead. (This doesn’t have to be a prosaic truth: the fact that all browsers are working together on HTM5, if not on other technology, is quite a story.)
Consumers benefit from interoperable webpages: most people use multiple devices and browsers; it’s stupid if you can use your bank website on your work machine, but not your Linux netbook or phone. There are significant advantages to HTML5 over HTML 4 for developers.
Mr Beccue (or the anonymous author channelling Mr Beccue, as we are denied any link to Mr Beccue’s full analysis) believes that Flash will imminently disappear:
One important HTML5 feature, video, is making a play to challenge the popular Adobe Flash Player plugin software…“I think the disappearance of Flash is closer than people think”
There are numerous reasons why Flash may be a more appropriate way to deliver your video content. Perhaps you need DRM, or adaptive bitrate streaming, for example.
Also, dear journalist/ analyst, it’s fair to point out that there are numerous problems with multimedia on Apple’s iOS:
However, he gives a list of “facts” asserting “These are not interpretations or opinions. These are facts.”
As it’s just possible that another journalist or analyst might be impressed by Forbes’ vehemence and quote these “facts” without question, let’s give them some critical examination.
You do not build a web site in Flash. The only way to build a website is to use HTML pages, and then to embed Flash elements in them.
This supports the author’s thesis that talk of all-Flash websites is an impossibility. Well, yes, technically. But Flash can be embedded using two lines of HTML, neither of which has any visual manifestation (see Blankety-Blank example) so this doesn’t mean much.
Less than half of installed browsers are HTML5 compliant, with different levels of compliance.
As our wikipedia chums would say “Citation needed”. And, please dear Analyst, see above for the absolute necessity to define “HTML5 browser” or “HTML5-compliant”.
The video element in HTML5 is perfect for basic video players, but Flash and Silverlight are much more suitable for advanced video feature (streaming, caption, interactive features and miscellaneous video effects)
Really? I very much like the text-based synchronised subtitles available on things like Playr or mediaelement.js, which are HTML5.
Streaming is also completely possible with HTML5 video. “Miscelleaneous video effects” needs definition before you can claim that HTML5 can’t do them. (It’s been possible to do things like edge-detection, blend, greyscaling for a couple of years with SVG + native video – see http://www.dahlström.net/svg/filters/video/video-filter.svg in Opera, for example).
The iPony Club
Finally, Business Insider has a video in which “Facebook Investor” Roger McNamee exhibits the kind of breathless anticipation about “HTML5” that is more commonly found in the minds of the prepubescent heroines of a specific genre of children’s fiction as they describe the prospect of riding Misty Mane, their new pony, for the first time. (From 8’58” onwards.)
I address the paraphrases, as they’re what get quoted and picked up:
HTML5 is going to change everything. “In HTML5, an ad is an app, a tweet is an app, everything is an app.” “It’s a blank sheet of paper, and creativity rules again.”
I’m not sure how “a tweet is an app” makes any kind of technical sense. And, much as I like HTML5, this isn’t the Renaissance – we’re not seeing some massive resurgence of human creativity because of a new DOCTYPE.
In HTML5, you don’t need to have display ads: Amazon can have a section of its store as an ad. So if you’re reading a book review, you can buy the book right from the page.
As you’ve been able to do for 10 years.
Because HTML5 can make sites rich and interactive, engagement on a site can go from seconds to minutes.
Flash can make sites rich and interactive. So can HTML 4. The key here is “rich and interactive”, not a particular DOCTYPE.
The iPad is the training wheels for HTML5.
Seriously, have a lie down.
(Added January 2012: the offending video by McNamee:)